17 February 2016
Out of the far corners of Warwickshire came Daisybell, a songwriter from the north, a harmony specialist from the south and a multi-instrumentalist from the east. They share a love of traditional folk music, home cooked food and Joe Browns fashion.
Since their first rehearsal in February 2016, Daisybell have headlined at folk clubs in Nuneaton, Atherstone, Bedworth and Warwick as well as venturing to the wilds of Leicestershire and Oxfordshire.
The original songs, traditional arrangements and occasional quirky covers are performed by Katherine Fear on stringy things, Ginny White on tappy stuff and Anya Fay on tooty tunes.
Their well-earned reputation as is growing rapidly, and you should not miss any opportunity to see them.
Daisybell will be supported by The Old ‘Uns, a six piece group of local folkies, and Brian Phillips.
The Old ‘Uns
The Old ‘Uns are a group of six friends, musicians and singers, with a total age of more than 400 years, who have been on the folk circuit in the West Midlands and various other places for more than a collective 200 years! Yes, that is hard to believe, but when you see who they are it’s not so surprising.
Their name comes about as the exact opposite of the Young ‘Uns as the Old ‘Uns are just that, old. Well, let’s say they are all of, or past, retirement age.
The group got together in 2014 and consists of John and Elaine Meechan, Phil Benson, Dave Parr, Malc Gurnham and Gill Gilsenan. Their repertoire covers a wide genre of music from traditional and contemporary folk songs through to pop performed in a folky way.
They have performed in clubs and at Bedworth Folk Festival.
Malc is an excellent singer, plays quite a variety of instruments (most of them with strings!) and is a highly regarded solo performer. He also can be found running singarounds and acting as an MC at many festivals throughout the country.
As well as performing, Malc promotes many folk events, including the jewel in the crown, Bedworth Folk Festival.
Gill started singing at The Corner House Folk Club in the 70s (run at the time by Malc) with her partner, and later to be husband, Bryan Sunderland. After Bryan’s death in the 90s, she formed a musical and personal partnership with Ace guitarist Dave Bennett.
She now performs with Malc Gurnham as Malc and Gill, and is involved with Bedworth Folk Festival.
David has been playing guitar for more years than he cares to remember. He was a full-time professional for 14 years or so. Now, after a brief interruption when he taught in special needs, primary and then secondary schools in Warwickshire, he’s back doing the ‘real’ job.
Renowned for his style and expertise, David is also well known for his comedic songs.
John has been on the folk scene for 40-odd years. Hailing from Yorkshire, many of his songs are rooted there.
His passion for folk songs has resulted in a wide-ranging repertoire, always particularly well-presented.
Elaine, keyboard and accordion player in many an ensemble, has that rare talent that true musicians possess; the ability to empathise with those she performs with. She is an important part of a number of folk-related bands in the area.
Phil has been involved in folk since the 60s, albeit with a 20-year break from active involvement. In the early 70s, he was part of an electric folk group, Alderley Edge, with Malc Gurnham and David Parr, performing all over the Midlands area.
He also got together with David Parr in a more traditional folk trio with John Meechan, Coolin.
When Nuneaton Arts Centre was being set up, Phil got involved, so it was no surprise that Coolin were the hosts of the folk club that opened there.
Brian is a 60-something with a 40-something attitude. Having performed for many years both solo and with numerous others in numerous combinations, his artistry is something to behold.
A regular performer on the folk music scene in the Midlands and the West Country, he gives all he has, whether it be a floor spot at a club night, or as the principal artist on the main stage at a festival.
He has a unique aptitude for knowing what the audience wants; be it playing of instrumentals such as ‘Angie’ or by singing gentle ballads and love songs. He can have you in awe one minute and in tears of laughter the next with his quirky comments and introductions.
Brian’s recent appendage to his ‘Act’ is the occasional airing of self-penned and extremely witty poetry. This is not to be missed for it is believed that he could be the next Poet Loreat.